I. Sarlacc Ethics.
C-3PO explains in Jabba’s palace that the sarlacc digests its victims over a thousand-year period of unimaginable suffering. If this is true, then Luke and Han act reprehensibly when they glibly allow bounty hunters to roll into its maw instead of shooting them. On the other hand, the sarlacc probably enjoys eating bounty hunters more than they dislike it. So from a utilitarian perspective, it’s actually fine. (There are other considerations to take into account—Tatooinians, for example, might not like living on a planet where sarlacci can devour people with impunity. The sarlacc, though, gets such intense pleasure from eating that we don’t need worry about this objection.)
Jabba’s palace is Orientalist and the Ewoks are insulting to indigenous people of the Amazon. My Art History class has made me too sick of critical theory to go into this further.
III. Yoda Will Always Be with You.
One of my favorite moments in any movie, almost an par with this, is this moment, when Obi Wan first appears to Luke on Dagobah after Yoda dies. The orchestra’s crescendo that suddenly cuts off as Obi Wan approaches is tingle-inducing.
IV. The Forest Moon of Endor.
One of the most well known grammatical disputes in Star Wars is this: is “the Forest Moon of Endor” a partitive or possessive genitive?
There are two possibilities for the identity of the home of the Ewoks.
- (Partitive genitive.) It’s a forested moon called Endor. Thus, “the Forest Moon of Endor” is the same construction as “the great state of Maine” or “the frigid, godforsaken city of Iqaluit.”
- (Possessive genitive.) It’s a forested satellite of the planet Endor, and not itself named Endor. This reading understands “the forest moon of Endor” to be akin to “the two moons of Mars” or “the blood-spattered armor of Mars.”
V. Darth Vader’s Redemption
One of the most commonly repeated lines about the movie is that Darth Vader “redeems himself” when he saves Luke by hurling the Emperor into a conveniently placed molten pit. I used to believe this too, until I realized that it it’s a facile platitude. Redemption is impossible for Darth Vader. If billions of murdered Alderaanians had risen from the dead and offered their sincere pardon, then it might have been possible for Vader to die with a clean conscience. Saving one man’s life who happens to be his son isn’t enough to cut it. The only people who could have redeemed Vader—if human beings can redeem other human beings at all, which is debatable—are dead by the time of Episode VI.
This speaks to a general moral point: I don’t think that redemption is something that we can have any knowledge about in the first place. How is it possible for us tell whether or not someone receives the pardon of the universe? God knows, not us.
This isn’t to say that Vader’s saving Luke isn’t significant. Luke is right, in spite of Leia’s insistence to the contrary, that there is some good in him. The operative word, of course, is some. At the very end of the movie, Luke consciously lays his father on his pyre with his mask back on. Despite his heroism, in the end Vader’s still a murderer.
VI. The Remastered Version.
I don’t have too much nostalgia for the old VHS version of Star Wars. That said, I have a couple qualms with the revisions from the original. First of all, turning the Ewok’s simple chant at the end of the movie into a tremendous intergalactic celebration is like cutting out the Song at the Sea from Exodus and replacing it with this. Also, as my friend pointed out, giving the sarlacc digital tentacles and a beak puts a damper on its Freudian symbolism. That might be a good thing—the sarlacc scene alone is probably responsible for a host of lifelong male bachelors who saw it as kids.
VII. Is Luke tempted?
It’s hard to tell whether Luke is actually tempted by the Emperor to go over to the Dark Side. He attacks Vader in a rage, but it’s left unclear whether that’s just a lapse of self-possession or an ominous sign of weakness. The answer to this question has a lot of bearing on Luke’s character, so it’s a bit frustrating that the movie leaves it ambiguous. We don’t know, after all, whether to cheer or to nod understandingly when Luke tosses away his lightsaber in front of the Emperor.
That’s not all, but I’m done for now. I’ve seen this movie more times than I can count, and its sound effects and dialogue are firmly embedded into my mind. It’s a fresh movie every time, though.